For PAL DV check out the follwoing link: CLICK HERE Instead maybe try one of the 411 filters for NTSC DV. You never want to deinterlace (well almost never). so again, maybe you could explain this to me. so again, maybe you could explain this to me.Д«ut i thought Huffyuv is interlaced. Is this what u're doing and the purpose behind it?Д«ut i thought Huffyuv is interlaced. Perhaps, opening the DV film in VirtualDub, deinterlacing it, then outputting to Huffyuv is the only way to get arround it? Then it should be an easy encode to MPEG2. If i deinterlace it in Vegas, it is better, but i think the deinterlace is Vegas is not the best. I am sure I must be doing something wrong, though I am really lost what that could be. I find the image is allways blocky on the edges at fast motion after MPEG2 encoding, etc. The thing is that DV is a pain in the ass for me. I thought people were capturing directly to Huffyuv with it, like through VirtualDub or something. So it uses the DV capture function of programs like Premiere, Vegas, Pinacle or WinMovie Maker right? I'll also do some testing tonight and let you know if it indeed fixed the problem so you don't waste your money. Holdar, did you try to capture B&W with the macro off? To hufyuv 2.1.1? Not cool but OK if you're not plagued by perfectionism. This is why i want to make sure i can switch off the damn macrovision, not to steal but to make sure I can work on my damn own sources without having them destroyed.Д®ven if this 'digital video stabilizer' did get rid of the write errors, problem is that it uses RCA yellow not S-video, and second, it tends to digitize the picture, make it slightly blocky. With known issues to make sure this was not just a fluke scene that wouldn't have caused me problems anyway. I need to re-do the test, capture a longer segment and try diff sources I was shocked that there were no white contrast errors. To make things clear, this source is 110% sure not copyrighted, macroprotected, copyprotected or protected in any way. I threw in a B&W source that caused me whites on the shirt, etc.ДЄnd I put a 'digital video stabalizer' in between by VCR and AIW. I did a test last night with interesting results. HUGE thanks for the macro and switch info guys. I am really getting my questions answered here. I would really appreciate your help and I can't wait to hear from people that own a Canopus ADVC-110 and have tried to disable macrovision. First and foremost.Д«) How is the AGC circuitry in the 110? Would I be able to get good results with my black and white sources with regards to light shades or will it cause giant PURE white blobs like the AIW series? This is a mojor concern for me (contrast problems, esp' for black and white films). What I would like to know from people who own the Canopus ADVC- 110 is:ДЄ) Does it still have the feature to disable MACROVISION ? This is my biggest concern. The point is, I am thinking about buying a Canopus ADVC110 as the 100 is no longer available except eBay. Light shades turn to pure white and if the contrast is taken down to correct the problem, the video looks dark and washed out. As far as I am concerned, the AGC circuitry is too aggressive, so much so that I consider it defective by design. I do have intent to back up macroprotected VHS tapes to DVD that I own.Д¬urrently I am using an AIW card and I am very dissatisfied. Right now I am capturing old BLACK & WHITE movies, I have the rights to do this (as the content is in the public domain), but if I didn't, it would still be legal under the fair use laws. Also I have read all relevant post on the board.more than 300 posts over the week.

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